Printing squarely - bringing out the image

I left this print on the last post at the first tonal stage. The second layer of tone gave much more detail and I can see where I'm going now...

Final stage adding in the line work, defining the perspective and leading the eye to the distant point.

Oct 5th 5.15pm

I left the title of the print fairly ambiguous - different months have layers of meaning for different people - I hope the time suggests a relaxing point in the day to be out for a walk.

This print will partner the previous square print at my little exhibition in a month's time.

Squaring up

I enjoyed the size and the square format for my 20:20 print so much I decided to cut down a plate destined for another project and started work on another square, 20 x 20 cm .
The sketch for this was made in the summer back at Westonbirt Arboretum

sketchbook page

This was drawn on a lovely sunny day,sat on the clover dappled grass with loads of butterflies about. 

This path is a quiet spot; the view to the tree trunks is towards one of the main paths.

Free drawn stop out wash, open bite

Some good shapes on the ground and a good starting point in the trees but the focal distance area is a bit of a weird figure like blob which needs bringing under control - softening or obliterating.

Hard ground line

The hard ground line gives me more of an idea about what needs doing in the background, but just like the last print I've been a bit sparse with my line drawing - another hard ground on the way...