Showing posts with label monoprint. Show all posts
Showing posts with label monoprint. Show all posts

Thursday, 28 May 2015

Re-purposed prints

I've been having a sort out; loads (and I mean loads!) of old prints. What to do with them?


I've got a great book about Barbara Rae's printmaking. In it, she describes cutting up old/experimental prints and collaging them back together to create new ideas.


A bit of mono-screenprint helped to kick start things,


cutting and experimenting,


playing with wash backgrounds... and discarding elements, cutting up more prints...

'Spring Woodland' 30x30cm, intaglio and screenprint collage

...and then this woodland fell into place.

Wotton Gallery had an open submission exhibition coming up and I sent this off. How lovely to now hear its going to be included in their 30x30 Exhbition, opening very soon.




Sunday, 17 August 2014

is rust a must?

Rust prints moving forward...


These small plates also start to explore essential marks in my larger prints.


The print, below, is done on paper which was pressed against a strong fresh rust stain - rust as monoprint? I like the subtle transfer of colour.


These two final images show rust on the more complex print - the control of the rust marks needs to be carefully done - it just doesn't work as well if its too random.

 

Thursday, 17 January 2013

December Walk

I've had quite a delay between posts because I lost the Browse button on my image upload page. Blogger posted that it would be fixed this week, but it still hasn't been fixed - frustrating! I have now tried the conversion to HTML to upload images, and then back to Compose to edit the blog and this has worked fine for me ... this time...

This is a post I began writing a fortnight ago...

A little late for a December posting, but the Altered book has just gone in the (royal mail) post and now I've got time to (blog) post.

December walk opening page

December walk - in the middle of the walk

December has been very wet in our neck of the woods, and has left some very deep marks on our landscape. An Artist friend, Zoe Heath, had recently demonstrated some lovely techniques at the school where I teach, and I have incorporated some into the textures she uses into this book.

December walk end page

The paths have been deeply rutted, wet rich soil has been been clinging to our boots, and the dog's feet. I needed richer textures and heavy marks which the monoprint and shellac combined were happy to provide.

My next book walk may need to respond to the forecast snow and ice.